Introduction In her 1999 play Purapurawhetū, Briar Grace-Smith weaves her audience a story of simultaneously ordinary and epic proportions. Much like the audience, the play’s protagonist Tyler, a Māori teenager, finds himself immersed in a world where the logical and the extraordinary commingle boundlessly. The past and the present, the living and the dead, and the animate … [Read more...] about Aesthetic Decolonization: Magic Realism and Rewriting Postcolonial Trauma in Briar Grace-Smith’s Purapurawhetū